Ukrainian War Collages

From the first days of Russia’s invasion of Ukraine, a new reality occurred for people of Ukrainian heritage such as myself. Notions of sovereignty, democracy, and social responsibility suddenly took on a greater sense of urgency. As theorist Vincent Lloyd writes, “The inertia of the ordinary sweeps us along, muting all but the most mundane worries. But in moments of tragedy, of deep decision, of disruption, of evil, in moments when we step out of the pull of the ordinary, we understand that something is amiss in the world.” The feeling that something is amiss in the world has often informed my art practice, but it now affects me with a renewed sense of magnitude and purpose.

At first, I struggled to find ways to respond to the atrocities in Ukraine. In 2022, I began to work on a set of collages for the website Someone Prays for You, an initiative set up by Ukrainian Canadian artist Taras Polataiko to raise funds for the Ukrainian Civil Defence. These collages juxtapose images excised from old National Geographic magazines and WWII war journals with contemporary imagery from Ukraine. Unexpected links are invariably forged, producing an emotional — almost primordial — tug between revulsion and aesthetic appeal.

Slava Ukraini!
Ukrainian School Girl in Forest
Eye in Mirror
Lion and Mourners
Close the Sky
Sofa in Battlefield
Woman Sweeping in Church
Red Square Dreaming
Board Meeting
Boy with Roses in Forest
Holiday in Ruins
First Day of School
Camera and Body
Russian with Camera
TV and River
Full Russian
Red Flags and Fire
Mother and Child
Woman with Stove
Grandma in Bucha
Ukrainian Dancers on VE Day
Hope

And Quiet That Splinters the Winter

Collaboration with John Wynne  |  At Home Gallery, Šamorín, Slovakia  |  2023

This site-specific installation holds menace and beauty in a kind of cognitive dissonance. It is both a gesture of remembrance for those who have died in the war in Ukraine and a lament for the destruction of the natural environment that accompanies all wars. The title is from a poem by Anastasia Afanasieva, one of many contemporary Ukrainian writers exploring how — and if — poetry can respond to the Russian invasion of their country. Denise Hawrysio and John Wynne experimented together for a month in this former synagogue in Slovakia to ask the same question of art.

See John Wynne’s website for more information about this installation.

Press

Új Szó review of And Quiet That Splinters the Winter
Új Szó, October 2023