One Liners
- An Etching Plate Feels No Pain, SNAP, Edmonton, 2011
- Situational Prints, Open Studio, Toronto, 2009
- Situational Prints, Martha Street Studio, Winnipeg, 2010
28 x 37.5cm
Because etching is about what you scratch on the plate from which you will eventually print, this “scratching” is usually about carefully deliberated passages of aesthetic mark-making. Not Hawrysio’s. Her etching plates are passive receivers of her lived activity, bearing, for example, Finger marks from the guy whose job I stole and Marks from the chip that fell off my shoulder. It’s all quite ruefully funny, but it’s also, more importantly, about your vulnerability in a dangerous world, about being constantly conscious of the things that happen to you. In the end, therefore, it’s a lonely show, brave, funny and moving. — Gary Michael Dault, Globe and Mail
Fingernail marks from the guy whose job I stole
28 x 37.5cm
Collection: University of Alberta Print Research Centre
Laying bare
28 x 38cm
28 x 38cm
SNAP Gallery, Edmonton, 2011